SUBFICTION exists in the twilight zone of electronic live performance—veiled, elusive, and unpredictable. A sonic architect of absorbing audiovisual worlds, where sound and image merge into a hypnotic experience and where transitions between euphoria and melancholy happen effortlessly. Melodies pull you in, rhythms fall apart, structures collapse, and yet, everything inevitably finds its way back to the dancefloor.

But before things get too deep—let’s be real. SUBFICTION is also here for the club kids, the bass fiends, and the night creatures who don’t care about high concepts as long as the subs hit hard and the lights flash at the right moment. A SUBFICTION set isn’t some sterile audiovisual art piece—it’s a high-energy, full-sensory meltdown where breakbeats get reckless, synths spiral out of control, and the crowd moves like a single, glitching organism.

This is not just a live act; it’s real-time audiovisual chaos. SUBFICTION doesn’t just play music—it controls entire digital landscapes. Using a custom-built system, the artist generates and morphs virtual worlds through musical instruments, turning every performance into a unique, living entity.

What started as a fleeting presence in underground clubs and unannounced festival sets is now gaining serious momentum. Following standout performances at Eurosonic Noorderslag, Grasnapolsky, and Motel Mozaïque, as well as a Popronde tour that culminated in a packed Melkweg finale, SUBFICTION is now gearing up for the next phase. With support from Aquarian and Kessler, features in MixMag, and airplay on BBC Radio 1, the name is circulating in the right places, and the next step is set in motion.

Enter the venture of SUBFICTION.